Press Reviews

 

Catalogue by Paull Scott and Terry Bennett, Bellew Publishing, Tullie House, Carlisle City Gallery & Museum. ISBN 1 85725 119 9. Cover image by Les Lawrence "New visions Vessel", porcelain, screen/monoprint 1996
HOT OF THE PRESS CATALOGUE
cover image
"New visions Vessel"
by Les Lawrence


Maria Geszler "Poetry of the Industrial landscape"1987, porcelain, screenprint, 1300c 80cmx 36cmx15cm
Maria Geszler
"Poetry of the Industrial landscape"
1987, porcelain, screenprint, 1300c 80cmx 36cmx15cm

Scott Rench "Coming to a Theater Near You" 69cmx50cm, Computer generated print, printed glaze on clay.
Scott Rench
"Coming to a Theater Near You" 69cmx50cm, Computer generated print, printed glaze on clay


Melon plate, Richard Slee, 1998 Silkskreen print, rubber-stamp border underglaze on press-moulded plate
Richard Slee,
Melon plate, 1998 Silkskreen print, rubber-stamp border underglaze on press-moulded plate

THIS IS AN ADAPTED, ARCHIVE PAGE FROM THE OLD ARTCUMBRIA WEB SITE

Tullie House exhibition

Hot Off The Press Ceramics and Print, a Tullie House, Carlisle Museum and Art Gallery touring exhibition, part funded by the Crafts Council and Northern Arts, originated from Paul Scott's ceramic studio in the wilds of rural West Cumbria. The exhibition grew from his research for the book, Ceramics and Print (A&C Black 1994) a handbook of printmaking processes allied to ceramics. It identified a range of methods and techniques for making ceramic pieces involving print, or making prints with ceramic materials. The work featured in the exhibition Hot off the Press varied in scale from small plates to large sculptural and installation pieces.

Another book, Hot off the Press (Bellew 1996) was published to co-incide with the HOP exhibition.Tullie House exhibitionThe Ceramics and Print book is an overview of different processes and techniques for using print and clay together, a practical handbook; Hot off the Press on the other hand was concerned to find out why and where this phenomena was coming from and going to...

Ceramics and print have in common the ability to repeat a shape, form or image. The difference is that ceramics usually deals with the three dimensional, and print the two dimensional. The two have been used together for some considerable time in the service of industry to produce usable and decorative ceramic artifacts and utensils, and more recently, visual artists have begun to creatively exploit this marriage of processes and disciplines with startling results.

The presence of print in the work, either image based visuals, or written text means that the work is immediately accessible, but there are often deeper meanings and references.

The exhibition seeked to challenge preconceived ideas of contemporary studio ceramics, and the fine art print. It demonstrated that cross disciplinary links in the visual, decorative and applied arts were producing fruitful hybridizations, some of which were at odds with traditional classifications of work.

The Virtual Museum of Print and Clay
http://www.printandclay.net/

 

Paul Scottt Free at Last, (1990)
inglaze screenprint on porcelain form with lustre, ht,20cm.
Paul Scottt
 Free at Last, (1990)
inglaze screenprint on porcelain form with lustre, ht, 20cm.

Kevin Petrie, Portrait Drawn from Memory, overglaze screen print on bone china plate.
Kevin Petrie
Portrait Drawn from Memory,
overglaze screen print on bone
china plate.

Conrad Atkinson Durer Landmine, overglaze decal on slipcast earthenware.
Conrad Atkinson
Durer Landmine, overglaze decal on slipcast earthenware.

Grayson Perry, Everything Else in the Room is Rubbish. Overglaze decals and spriggs on handbuilt form.
Grayson Perry
Everything Else in the Room is Rubbish. Overglaze decals and spriggs
on handbuilt form.

The exhibition itself finished in January 1998, subsequently other events have continued to develop out of it........

In July 1998, 18 artists formed the Hot off the Press 2 Symposium in the International Ceramic Studios, Kecskemét, Hungary. Although the nucleus of the group were from the original exhibition, this symposium introduced new artists to HOP, including ones from Hungary, Iceland, Germany and Japan. Two exhibitions were the result of this symposium, one in Kecskemét, and another in Budapest. Called HOP2 the body of work left at the ICS was the first to be shown in the new ICS Gallery at Kecskemét.

An internet report on HOP2 can be found at:
http://www.aber.ac.uk/~mov/main.html

A report of the HOP Symposium was made at the International Academy of Ceramics in Toronto
August 1998.

In September 1998, University of Central Lancashire, Preston...Fired Print was the first Northern Potters Festival to focus on a particular theme. These events held every two years provide a weekend of demonstrations and workshops. This one featured Ceramics and Print and was directly as a result of HOP. This introduced new artists working in Print and Ceramics from Switzerland and Australia, to compliment artists from USA, UK and Hungary. Hugely successful, attendees included not only ceramists, but many involved in fine art printmaking.

In October 1998, the second exhibition evolving from the issues raised by HOP opened at Orleans House Gallery, Twickenham. Glazed Expressions examined the use of the written and printed words in ceramics; historical, industrial and contemporary. An accompanying catalogue included a number of essays which analysed this area further.

In March 1999 a comprehensive presentation overviewing the historical and contemporary Ceramics and Print scene was made by Les Lawrence and Paul Scott to the National Council for Education in the Ceramic Arts annual conference at Columbus Ohio in USA.

Hot off the Press evolved from one exhibition to a loose group of artists from all over the world, working and networking amongst themselves. They include fine artists, ceramists, painters and printmakers..

| Glazed Expressions || Fired Print |